Play Along Piano

Tags

Bach

BSG

5:54	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cto	30	0	12	2	100%
Viola	22	0	8	4	100%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cto	30	12	2	100%
Viola	22	8	4	100%
Violin 1	18	5	5	100%
Violin 2	21	9	4	100%
Alto	20	8	6	60%
Organ	26	9	6	60%

Trauermusik en Do Minor

IGitzDiz

4:33	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	18	0	4	4	95%
	16	0	3	8	100%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	18	4	4	95%
	16	3	8	100%
	17	5	9	100%
Fagotto	26	9	8	100%
Viola	16	3	8	100%
Violino I	17	5	9	100%
Corni en Do / C	18	4	4	95%
Violoncello	18	4	4	95%
2 Oboi	25	8	11	92%
Violino II	11	2	6	49%

Little Fugue

pcarmich

3:48	Est. Play Time
68	Measures
	1,269Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano Saxophone	25	0	8	8	100%
Alto Saxophone	23	0	7	8	81%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano Saxophone	25	8	8	100%
Alto Saxophone	23	7	8	81%
Tenor Saxophone	23	7	8	71%
Baritone Saxophone	23	7	7	54%

Aria

pcarmich

4:00	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone	18	0	5	6	100%
Baritone Saxophone	25	0	8	3	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone	18	5	6	100%
Baritone Saxophone	25	8	3	100%
Soprano Saxophone	14	5	9	100%
Tenor Saxophone	11	2	6	100%

Red Like Roses for String Quartet from RWBY

pockies

3:38	Est. Play Time
151	Measures
	1,363Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	24	0	1	11	96%
Violin I	22	1	1	9	92%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	24	0	1	11	96%
Violin I	22	1	1	9	92%
Violin II	17	1	0	10	91%
Violoncello	21	1	3	7	85%

The Twelve Days of Christmas - Male A Cappella

Jesse David Sykes

5:47	Est. Play Time
216	Measures
	2,376Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	20	0	1	10	97%
	15	0	2	8	83%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	20	1	10	97%
	15	2	8	83%
Baritone	12	2	9	95%
Bass	15	3	8	76%

Rezitativ und Arie from BWV 82

Bartók forever

6:44	Est. Play Time
99	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	19	32	5	6	16%
	25	43	9	6	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	19	32	5	6	16%
	25	43	9	6	100%
	24	0	9	6	98%
Sopran	18	0	7	8	96%

J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)

BSG

7:34	Est. Play Time
106	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	16	0	5	5	100%
Soprano	18	0	6	6	99%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	16	5	5	100%
Soprano	18	6	6	99%
	16	5	5	98%
Alto	12	2	3	36%

J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG

BSG

4:22	Est. Play Time
75	Measures
	1,889Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	21	0	7	6	100%
Realization	17	66	3	4	99%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	21	0	7	6	100%
Realization	17	66	3	4	99%
Continuo	20	0	5	3	99%
Violoncello	20	0	5	3	99%
Tenors	10	0	0	6	45%

14 Canons on the Goldberg Ground BWV 1087

StephenM

8:12	Est. Play Time
143	Measures
	1,217Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	29	0	6	5	93%
	32	0	8	5	96%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	29	6	5	93%
	32	8	5	96%
	24	3	4	69%
	22	3	5	46%
	10	0	3	23%

BWV248N4 - "Bereite dich, Zion"

edward.maurath

6:40	Est. Play Time
140	Measures
	1,082Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	51	7	5	95%
	22	4	7	5	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	51	7	5	95%
	22	4	7	5	99%
Bassoon Continuo	22	0	7	5	99%
Oboe d'amore	27	0	10	5	91%
Violini	27	0	10	5	91%
Violoncello Continuo	21	0	6	5	89%
Alto	17	0	6	6	65%

J.S. Bach: Aria "Schlummert ein ihr matten Augen"( BWV 82 No 3) für Fagott Kammerorchester

Georg Pfeifer

10:08	Est. Play Time
149	Measures
	1,845Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	23	0	6	4	100%
Viola	18	0	4	8	86%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	23	6	4	100%
Viola	18	4	8	86%
Violin 1	17	5	8	78%
Violin 2	15	4	7	78%
Solo Fagott	28	9	11	77%
Flöte	18	4	8	43%
Oboe	15	4	7	24%
	18	4	8	32%
Horn in F	15	2	7	30%
Fagott	13	2	5	29%

Sleepers, Wake! - Accompanied Mixed Chorus

Jesse David Sykes

4:08	Est. Play Time
75	Measures
	2,148Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BaccidentalFlat Cornet	21	0	7	6	100%
Organ	17	1	3	8	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BaccidentalFlat Cornet	21	0	7	6	100%
Organ	17	1	3	8	99%
	21	0	6	3	99%
	12	0	3	7	99%
Double Bass	21	0	6	3	99%
Alto	9	0	1	6	48%
Bass	14	0	3	3	48%
Horn	10	0	0	8	48%
Soprano	12	0	0	8	48%
Tenor	10	0	2	5	48%

BWV258N7 "Er ist auf Erden kommen arm"

edward.maurath

3:27	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	20	0	7	6	100%
Harpsichord	20	48	6	6	98%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	20	0	7	6	100%
Harpsichord	20	48	6	6	98%
	21	3	5	5	97%
Fagotto Continuo	21	0	5	5	97%
Oboe d'amore	18	0	5	6	94%
Soprano	10	0	1	5	47%
Bass	15	0	6	4	17%

Air on the G String

Baconator NoVeg

4:48	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1	14	0	5	9	100%
Mellophone 2	18	0	4	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1	14	5	9	100%
Mellophone 2	18	4	6	100%
Mellophone 3	11	2	6	100%
Trombone	25	8	3	100%

J. S. Bach: Erbarme dich, mein Gott (Matthäuspassion, BWV 244, #39), with phrasing and proper appoggiature.

BSG

6:14	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	28	0	10	8	100%
Violoncello	25	0	8	3	100%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	28	10	8	100%
Violoncello	25	8	3	100%
Violas	22	8	4	98%
Violins 1	19	6	7	98%
Violins 2	22	9	4	98%
Alto	17	6	7	75%

J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)

BSG

3:40	Est. Play Time
71	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	12	0	3	5	69%
	16	0	3	6	100%
View all 11 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	12	3	5	69%
	16	3	6	100%
	8	1	3	45%
Cello	16	3	5	100%
Violin	22	7	3	94%
	16	3	4	94%
Viola	13	2	5	94%
Alto	8	2	3	45%
Bass	14	1	3	45%
Soprano	7	1	5	45%
Tenor	8	1	3	45%

Great Fugue in G minor - Guitars

Jesse David Sykes

6:17	Est. Play Time
115	Measures
	2,476Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar	25	2	8	7	97%
	39	2	15	7	85%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar	25	2	8	7	97%
	39	2	15	7	85%
	32	4	11	6	70%
	25	0	10	5	57%

J. S. Bach: Ich lasse dich nicht, du segnest mich denn (BWV 157, #1)

BSG

3:22	Est. Play Time
57	Measures
	1,948Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	23	0	8	4	100%
Cto	23	0	8	4	100%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	23	8	4	100%
Cto	23	8	4	100%
Oboe	21	7	7	96%
Violin	24	9	8	93%
Flute	21	8	8	91%
Bass	16	5	7	60%
Tenor	18	6	7	60%
FluteXEC	8	4	1	9%
OboXec	5	2	1	7%